Opus craticium 1, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticium 2, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticium 3, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticium 4, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticium 5, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticium 6, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticium 7, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticium 8, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticium 9, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticium 10, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticium 11, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticium 12, 38 x 55 cm , edition of 6, Zerkall paper

Opus craticum

Inspired by Bernd and Hilla Becher’s series of houses, Deppierraz uses half-timbered houses he discovered during his travels across Switzerland as the starting point for his lithographs. In contrast to the Bechers, who attempt to document their buildings objectively, Deppierraz is more interested in the purely graphical elements and play of proportions within the structures. By decomposing 12 old buildings and reinterpretating their structures, Deppierraz creates unexpected geometric forms which are surprisingly contemporary in appearance.

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